Showing posts with label The Iron Lady. Show all posts
Showing posts with label The Iron Lady. Show all posts

Tuesday, 1 January 2013

2012's Cinema Nightmares!



2012 has come and gone, and as we welcome in 2013 and build up to my imminent Top 12 of '12 list, as well as the First Annual Beyond Infinity Film Awards later in the month, here's something a little bit different. There's no denying the 2012 was a great year for film, but there were a number of releases that were a little less satisfying; in short, that sucked! So here it is, my 10 least favourite films of 2012 out of the all of the films that I had the displeasure of watching - brace yourself folks, here we go...


Daniel Radcliffe's first big screen project since the end of the gargantuan Harry Potter franchise set the actor his biggest challenge yet; shaking off the weight of the franchise that made his name and to break away from it before becoming stereotyped into the part. So did he do it? No, of course not. I know this may sound like I'm just bullying Radcliffe by badmouthing his career, yet it is this performance that drags down what could have been a special horror film that opted for a more traditional style instead of the tiring Paranormal Activity and Saw films that have plagued the cinema in recent years. Not only did I never believe that the young actor was a widowed father and a successful lawyer, the big problem was that I never saw a character at all, just a performance - or rather an attempt at one. Failing to get behind the lead character meant that the film failed to get an emotional response from me, making The Woman in Black lose all sense of peril and credibility as a result. Click here to read the full review.


I've actually been a strong defender of John Carter, making it known that I believe that the film is no-where near as bad as all of the negative press surrounding it made it out to be - there are far worse films out there that deserve such bad publicity a lot more. In fact John Carter was actually a rather interesting film in context, just as long as you consider the fact that it is adapted from a book published in 1917, then you can see how it was such a strong source of inspiration for most science fiction pieces since, including the likes of Star Wars and Avatar. Yet the film certainly isn't perfect - the performances and storytelling aren't groundbreaking, and I often find the heavy use of CGI somewhat off-putting - but it certainly isn't the worst film released this year... Click here to read the full review.


Despite Meryl Streep's much deserved award winning performance, The Iron Lady was a film that didn't quite get it all right. Whilst the scenes set in the past were engaging and well done, the constant jumps back to the present day Thatcher became a nuisance to me, destroying the flow and the entertainment of the whole film in order to attempt an emotional punch, which I hardly felt as a result. Had the film opted for a simpler narrative looking at Thatcher's incredible historic story - rather than focussing so much on the rather controversial and uncomfortable themes of the dementia of a woman who is still alive and suffering today - the film would have been a much better product as a result. Click here to read the full review.


This one might turn a few heads as Seth MacFarlane's Ted was one of the most popular films of the Summer for a lot of people, but I really didn't think it was all that it is cracked up to be. A new film by the creator of hit TV show Family Guy promised a fresh new inventive comedy, but failed to deliver - there was nothing new or interesting about the film at all. That's not the problem though, the problem is that bar a few moments of great humour, the film wasn't even that funny, which was not helped either by the completely predictable and unengaging plot, and the two-dimensional characters that I just didn't care about at all. The gag is that the teddy bear is alive, and is grown up so swears, does drugs and drinks, etc; the problem is that the joke lasts for 105 minutes longer than it needs to (and yes, the running time was 106 minutes long).  In all honesty Ted bored me more than it entertained me, which is a real shame because someone like MacFarlane has got the talent to create something a lot better than this. Click here to read the full review.


What could have been a wonderful family film adaptation of a book from the genius of Dr. Suess in fact turned out to miss the demographic by a long shot, featuring a ton of entertainment for anyone under five, and very little for anyone else. It is commendable for trying to push its environmental message to the young audience; I just wish that it did it a little more subtly rather than clubbing me around the head with it for the duration of the running time. The songs were pretty fun though. Click here to read the full review.


Just as many people loved Ted, a lot of critics seemed to go wild for the Charlize Theron starring film Young Adult. Yet there is a lot that is fundamentally wrong with the film. Theron's character, an adult still acting as if she's in her teens, is entirely unlikable and although it is arguable that she is not meant to be, the point still stands that I just cannot sympathise with her; especially when the film goes no-where by the end of it! There is no character development, nor any conclusion to her story, by the film's climax she simply fails in her warped plan, sleeps with someone for pity and then uses those who she continues to look down upon for an ego-boost, before going back to what she was doing at the start. Completely anti-climatic and not nearly as funny or clever as it thinks it is, Young Adult is not as good as some critics make it out to be.


While the original was fun, The Expendable 2 is mostly anything but. Tedious, loud, and void of any plot or characters, the explosive sequel goes bigger, but by no means better. Whilst it is redeemed slightly by the big finale which manages to hit the nail on the head and provide the tongue in cheek action fun promised by the packed cast, it is not worth watching the previous hour and a half of the film that takes itself far too seriously to get there. Click here to read the full review.


If John Carter and The Expendables 2 had a baby, it might look like Wrath of the Titans. Soulless and even more two dimensional than the film's 3D effects, watching Wrath of the Titans is about as much fun as smashing your own face in with a large rock. A lot of the expensive CGI-heavy budget is put towards creating not a lot of action at all, as nothing really actually happens in the film. Even the great Liam Neeson spends his time in the film standing there and doing nothing, literally! To think that the film features two of the leading actors from Schindler's List and completely wastes them says an awful lot about this awful film. Whilst Clash of the Titans infamously featured no Titans clashing, this sequel does feature a Titan, but nothing in the way of any wrath, nor enjoyment, excitement or entertainment. Click here to read the full review.


Tom Hardy is a very talented actor, and has starred in two fantastic films this year in two fantastic, menacing, brilliant roles. These films are The Dark Knight Rises and Lawless, because unfortunately even someone as great as Hardy couldn't save the abysmal This Means War. I don't even know where to begin, the film is just stupid. Two spies using their tech and skill to spy on a girl that they are both seeing, and to sabotage each other's dates with her, whilst at the same time the evil villain that they are meant to be stopping is completely forgotten about just like that - ya know, 'cause this is way more important! It's a film that tells people that it's alright to cheat on others and go behind their backs. Formulaic, unfunny, bland, tedious, irritating and terribly cynical, the feeling that you get when watching this film is not unlike the vile after-taste of vomit at the back of your throat. Tom Hardy can do better films than this, and judging by the expression void of any enthusiasm that he shows throughout the film, he knows it too.


I love film. I think that's pretty clear to everyone who knows me or reads this blog. I can't get enough of film, so much so that I'm currently dedicating my life to it. But on a very rare occasion I do have wonder why, especially if I see a film so repugnant and horrible as The Watch. I can't remember ever walking out of a film that was genuinely so bad that it actually gave me a headache! It's ridiculous, stupid, vulgar and not even slightly funny or enjoyable at all. I sat in a screening full of teenagers (who the film is targeting) and I don't remember the film getting a single laugh from anyone. The cast are irritating beyond belief; Ben Stiller is void of humour as the straight man, Vince Vaughn is one of the most unbearable screen presences in film, the recently Oscar nominated Jonah Hill plays an imitation of Zach Galifianakis in The Hangover (and seemingly every other one of his films), and the talents of Richard Ayoade are completely wasted as he gets pushed to the back. This film is a soulless, money grabbing machine designed only to take the money out of your pocket rather than to entertain even slightly - I guarantee that no-one making The Watch thought that it was a good idea, and no-one involved will be proud of it. A film so horrifyingly bad that, The Watch made me so angry that I almost lost faith in film - avoid it like the plague, even if you have to catch the plague to avoid it! Click here to read the full review. 


So there it is, my 10 least favourite films of the 2012, but what were yours? Perhaps some of your favourites are even in my list? Leave your thoughts and lists in the comments section below, as always I'd love to hear what you think. Oh, and Happy New Year everyone - let's hope that 2013 doesn't have many films as bad as these!

Monday, 13 February 2012

2012 BAFTA Results!

 
 The winners of the 2012 BAFTA Awards

So the BAFTAs were last night, and if you remember back to one of my first blogs back in January, I made a prediction for each category as to who would win. The idea was to then look back on my predictions and see how close I was! So let's have a look at how well I did...

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BEST FILM
  • Prediction: THE ARTIST Thomas Langmann
  • Winner: THE ARTIST Thomas Langmann

OUTSTANDING BRITISH FILM
  • Prediction: TINKER TAILOR SOLDIER SPY Tomas Alfredson, Tim Bevan, Eric Fellner, Robyn Slovo, Bridget O’Connor, Peter Straughan
  • Winner: TINKER TAILOR SOLDIER SPY Tomas Alfredson, Tim Bevan, Eric Fellner, Robyn Slovo, Bridget O’Connor, Peter Straughan

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
  • Prediction: TYRANNOSAUR Paddy Considine (Director), Diarmid Scrimshaw (Producer)
  • Winner: TYRANNOSAUR Paddy Considine (Director), Diarmid Scrimshaw (Producer)

FILM NOT IN THE ENGLISH LANGUAGE
  • Prediction: THE SKIN I LIVE IN Pedro Almodóvar, Agustin Almodóvar
  • Winner: THE SKIN I LIVE IN Pedro Almodóvar, Agustin Almodóvar

DOCUMENTARY
  • Prediction: SENNA Asif Kapadia
  • Winner: SENNA Asif Kapadia

ANIMATED FILM
  • Prediction: THE ADVENTURES OF TINTIN: THE SECRET OF THE UNICORN Steven Spielberg
  • Winner: RANGO Gore Verbinski 

DIRECTOR
  • Prediction: THE ARTIST Michel Hazanavicius
  • Winner: THE ARTIST Michel Hazanavicius 

ORIGINAL SCREENPLAY
  • Prediction: THE ARTIST Michel Hazanavicius
  • Winner: THE ARTIST Michel Hazanavicius 

ADAPTED SCREENPLAY
  • Prediction: TINKER TAILOR SOLDIER SPY Bridget O’Connor, Peter Straughan
  • Winner: TINKER TAILOR SOLDIER SPY Bridget O’Connor, Peter Straughan

LEADING ACTOR
  • Prediction: JEAN DUJARDIN The Artist
  • Winner: JEAN DUJARDIN The Artist 
 
LEADING ACTRESS
  • Prediction: MERYL STREEP The Iron Lady
  • Winner: MERYL STREEP The Iron Lady
 
SUPPORTING ACTOR
  • Prediction: JIM BROADBENT The Iron Lady
  • Winner: CHRISTOPHER PLUMMER Beginners

SUPPORTING ACTRESS
  • Prediction: CAREY MULLIGAN Drive
  • Winner: OCTAVIA SPENCER The Help

ORIGINAL MUSIC
  • Prediction: THE ARTIST Ludovic Bource
  • Winner: THE ARTIST Ludovic Bource

CINEMATOGRAPHY
  • Prediction: TINKER TAILOR SOLDIER SPY Hoyte van Hoytema
  • Winner: THE ARTIST Guillaume Schiffman

EDITING
  • Prediction: TINKER TAILOR SOLDIER SPY Dino Jonsater
  • Winner: SENNA Gregers Sall, Chris King

PRODUCTION DESIGN
  • Prediction: HARRY POTTER AND THE DEATHLY HALLOWS – PART 2 Stuart Craig, Stephenie McMillan
  • Winner: HUGO Dante Ferretti, Francesca Lo Schiavo

COSTUME DESIGN
  • Prediction: JANE EYRE Michael O’Connor
  • Winner: THE ARTIST Mark Bridges

MAKE UP & HAIR
  • Prediction: HARRY POTTER AND THE DEATHLY HALLOWS – PART 2 Amanda Knight, Lisa Tomblin
  • Winner: THE IRON LADY Marese Langan

SOUND
  • Prediction: THE ARTIST Nadine Muse, Gérard Lamps, Michael Krikorian
  • Winner: HUGO Philip Stockton, Eugene Gearty, Tom Fleischman, John Midgley

SPECIAL VISUAL EFFECTS
  • Prediction: HARRY POTTER AND THE DEATHLY HALLOWS – PART 2 Tim Burke, John Richardson, Greg Butler, David Vickery
  • Winner: HARRY POTTER AND THE DEATHLY HALLOWS – PART 2 Tim Burke, John Richardson, Greg Butler, David Vickery 

SHORT ANIMATION
  • Prediction: A MORNING STROLL Grant Orchard, Sue Goffe
  • Winner: A MORNING STROLL Grant Orchard, Sue Goffe

SHORT FILM
  • Prediction: ONLY SOUND REMAINS Arash Ashtiani, Anshu Poddar
  • Winner: PITCH BLACK HEIST John Maclean, Gerardine O’Flynn 

THE ORANGE WEDNESDAYS RISING STAR AWARD (voted for by the public)
  • Prediction: CHRIS O’DOWD
  • Winner: ADAM DEACON
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So there you go, in total I got 13 correct guesses and 11 wrong; not too bad I guess!? Overall I am happy with these results and winners of the night, and glad to see The Artist (Click here for my review) clean up as the big winner of the night - just as it deserved to.

Let's end off with some footage from the night itself, hosted from the Red Carpet by the glamorous Miss Piggy, the star of the fantastic new film The Muppets (Click here for my review) as she flirts and mingles with some of the stars.


  

How well did you do? Did you beat me? Leave your comments below!

Saturday, 4 February 2012

Review: The Iron Lady


Not a budget British sequel to Iron Man (although I kinda wish it were!)...

The Iron Lady is a biopic about the former and first female Prime Minister of the United Kingdom, Lady Margaret Thatcher (Meryl Streep), tracking her rise through the political ranks to Prime Minister, through to her fall at the end of her time in power. Alongside this narrative storyline we are also presented with a second parallel narrative of Thatcher today, as she reminisces images of her past and hallucinates conversations with her deceased husband (Jim Broadbent).

Meryl Streep provides the audience with a truly captivating portrayal of Lady Thatcher as to be expected, with her role far and away stealing the show. Supporting roles from the likes of Jim Broadbent, Alexandra Roach and Harry Lloyd are also wonderfully acted out yet unfortunately forgotten in the shadow of Streep's lead role. However these performances are not enough to fully salvage what is certainly a flawed film.

Whilst the interlinking narrative storyline attempts to cleverly freshen up the film by contrasting scenes of Thatcher in and out of power against each other, the constantly changing narratives did little more than to disrupt the flow of the film and take you out of the interesting story of the younger Thatcher in order to show her in her mundane and psychologically challenged life today. Whilst in certain films the use of a similar jumping narrative structure (including the phenomenal films 'We Need to Talk About Kevin' and 'The Prestige') works very well and to the advantage of the film; by raising questions and curiosities within the viewer as they try determine how the story will get from point A to B, and how it will all be resolved and pan out in the end (through the restriction of knowledge and information, etc). However in The Iron Lady we are not made to ask questions, firstly as this is based on a recent and well-known historical figure that so many people already know about, but mainly because when we leap to the present narrative we only see the elderly Thatcher (who strangely resembles the Gran from Catherine Tate a lot!) reminiscing and hallucinating, which in no way raises any questions about the other narrative and what will occur in it - merely slowing down the film and making it longer than it needed to be.


Lady Margaret Thatcher (Meryl Streep) in The Iron Lady

This poor choice of narrative structure is what ultimately lets the film down. A film based on a topic that has so many possibilities as Thatcher's does certainly has the potential of being far better than this turned out to be. Had the film focused on a simpler single linear narrative rather than messing around with the concept that it chose to use then they could have produced a far better piece of filmmaking that could have easily ridden on the back of the triumphant success of last year's 'The King's Speech' (one particular montage sequence during the film when Thatcher decides to run for Conservative leader and takes vocal lessons could have easily been lifted straight from or into 'The King's Speech'). This would have allowed for the film to show Thatcher's story in a far more fluid, engaging and powerful way by focusing more on the far more interesting narrative rather than wasting time by jumping to a second narrative that serves no purpose other than to slow down the film and try to make people who aren't already fans sympathise with Thatcher today (they could have even left some of these scenes in at the end - admittedly one moment during this narrative was actually very effective and emotional, but not enough to justify this poor narrative as a whole). When the film got going in the scenes from the past (the scenes in the Falklands were particularly effective), it proved to be a very engaging film; which is why this structure ultimately lets it down, and I left the theater feeling rather disappointed with how it failed to fulfil its full potential.

Alongside all of this, the theme of Thatcher's dementia in the present narrative comes across as quite controversial and close to the line, especially considering that she is still alive today! Whilst it is clear what the film is trying to achieve and say with the visual metaphors of Thatcher talking to her deceased husband (with certain shots featuring him and others not), it is a large claim to make that Thatcher herself does experience hallucinations and still talks to her departed other half alone in her home. This is incorporated into the film with no apparent evidence or proof that she does actually do this (as far as I'm aware), which could raise moral questions about this as well as questions on how accurate the depictions in this film actually are.

Margaret Thatcher was well known for causing some controversy in her time, so it's only fitting that a film in her name should do the same too really! Whilst the film is by no means bad, and Streep's performance is fantastic, the weak narrative leaps between the interlinking narrative storylines prevented the film from reaching the heights of cinematic greatness that it could have and should have reached; The Iron Lady failed to become half the film that it needed to be.


Verdict: 3/5

The Iron Lady is showing in cinemas across the UK now.

Agree or Disagree? Leave your comments below!

Sunday, 22 January 2012

2012 BAFTA Film Awards Nominations and Predictions


So it's that time of year again - awards season, and with the party already started with the Golden Globes, it's time to turn our attention towards the two main awards ceremonies that are actually worth paying attention to: The BAFTAs and The Oscars. With the release of the BAFTA nominations earlier this week, I thought it'd be interesting to post the nominees here and to make a prediction as to who will win for each category (my predicted winner will be in red and bold for each category), so we can then look back after the ceremony on the 12th of February and see just how close I was! So without further ado, let's begin...

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BEST FILM

  • THE ARTIST Thomas Langmann
  • THE DESCENDANTS Jim Burke, Alexander Payne, Jim Taylor
  • DRIVE Marc Platt, Adam Siegel
  • THE HELP Brunson Green, Chris Columbus, Michael Barnathan
  • TINKER TAILOR SOLDIER SPY Tim Bevan, Eric Fellner, Robyn Slovo
I've said it before, and I'll say it again: this year the awards belong to The Artist. Having already performed well at the Golden Globes, it is inevitable that this film will go on with the same success at the upcoming BAFTAs and Oscars. I'd confidently put money on The Artist winning the best film award for both of these ceremonies.
OUTSTANDING BRITISH FILM

  • MY WEEK WITH MARILYN Simon Curtis, David Parfitt, Harvey Weinstein, Adrian Hodges
  • SENNA Asif Kapadia, James Gay-Rees, Tim Bevan, Eric Fellner, Manish Pandey
  • SHAME Steve McQueen, Iain Canning, Emile Sherman, Abi Morgan
  • TINKER TAILOR SOLDIER SPY Tomas Alfredson, Tim Bevan, Eric Fellner, Robyn Slovo, Bridget O’Connor, Peter Straughan
  • WE NEED TO TALK ABOUT KEVIN Lynne Ramsay, Luc Roeg, Jennifer Fox, Robert Salerno, Rory Stewart Kinnear
Whilst I'd love to see Lynne Ramsay's incredible film We Need to Talk About Kevin win this award as one of, if not my favourite films of last year, however I'm putting my money on Tinker, Tailer, Soldier, Spy to win this one. Also on of the year's best films, Tinker, Tailor featured an incredible cast, soundtrack and cinematography to create a truly fantastic adaptation of John le Carré's bestselling novel.

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER

  • ATTACK THE BLOCK Joe Cornish (Director/Writer)
  • BLACK POND Will Sharpe (Director/Writer), Tom Kingsley (Director), Sarah Brocklehurst (Producer)
  • CORIOLANUS Ralph Fiennes (Director)
  • SUBMARINE Richard Ayoade (Director/Writer)
  • TYRANNOSAUR Paddy Considine (Director), Diarmid Scrimshaw (Producer)
This is a bit of a tough one, and we could see a surprise winner come out of this category. The three that instantly jump out at me are Attack the Block, Submarine and Tyrannosaur to take the award, but to pick one of the three I think it will be Tyrannosaur that will just take the lead, although Attack the Block could give it a run for its money and take an unexpected victory on the evening...

FILM NOT IN THE ENGLISH LANGUAGE

  • INCENDIES Denis Villeneuve, Luc Déry, Kim McGraw
  • PINA Wim Wenders, Gian-Piero Ringel
  • POTICHE François Ozon, Eric Altmayer, Nicolas Altmayer
  • A SEPARATION Asghar Farhadi
  • THE SKIN I LIVE IN Pedro Almodóvar, Agustin Almodóvar
If there is any justice in the world, then this award will go to Pedro Almodóvar's incredible horror piece The Skin I Live In. Also one of my top films of 2011, Almodóvar's film will genuinely leave you exiting the cinema in a state of psychological trauma - and as my roommate said as we left the cinema: "have you seen the Human Centipede? Yeah, this film was worse than THAT!..."

DOCUMENTARY

  • GEORGE HARRISON: LIVING IN THE MATERIAL WORLD Martin Scorsese
  • PROJECT NIM James Marsh, Simon Chinn
  • SENNA Asif Kapadia
The clear favourite to win the best documentary award is by far and away Senna. I'd be very surprised if this film doesn't win the award here after the critics and general audiences, and racing fans and people who had never even heard of Senna alike were blown away by such a moving film. It is interesting to note however that the film failed to make onto the Oscar nomination longlist for the best documentary in what was a rather controversial move by the Academy - so the film definitely won't get an Oscar, but it'll be the favourite to win here.

ANIMATED FILM

  • THE ADVENTURES OF TINTIN: THE SECRET OF THE UNICORN Steven Spielberg
  • ARTHUR CHRISTMAS Sarah Smith
  • RANGO Gore Verbinski
Tintin to win-win! The Spielberg directed picture was a return to form for the world's most famous film director, with a fantastic adventure film that harkened back to the days of Spielberg's earlier works, in particular Raiders of the Lost Arc. Having just won at the Golden Globes for the same category this is my favourite to win here too.

DIRECTOR

  • THE ARTIST Michel Hazanavicius
  • DRIVE Nicolas Winding Refn
  • HUGO Martin Scorsese
  • TINKER TAILOR SOLDIER SPY Tomas Alfredson
  • WE NEED TO TALK ABOUT KEVIN Lynne Ramsay
The Artist is in my opinion going to be the inevitable big winner this year, so the odds of the best director award going to French filmmaker Michel Hazanavicius look pretty good; and it'd be a justified win too though, after all it's no easy task to make a new film that looks like it was made nearly a decade ago, especially one of this standard.

ORIGINAL SCREENPLAY

  • THE ARTIST Michel Hazanavicius
  • BRIDESMAIDS Annie Mumolo, Kristen Wiig
  • THE GUARD John Michael McDonagh
  • THE IRON LADY Abi Morgan
  • MIDNIGHT IN PARIS: Woody Allen
You may find it a be a bit odd to see what is an almost entirely silent film get my nod for the best original screenplay award (and if you think that's weird, wait 'til you get to the sound nominations...), however a screenplay is just as important here even without the dialogue (although it was obviously written anyway for the actors to say regardless - with the sound removed in post-production), but for a film as good as The Artist, which is up against not a lot of competition for this category (although I thought that The Guard is fantastic, and Midnight in Paris did just win the Golden Globe for its screenplay, so that could provide some small competition for the awards maverick of 2012...)

ADAPTED SCREENPLAY

  • THE DESCENDANTS Alexander Payne, Nat Faxon, Jim Rash
  • THE HELP Tate Taylor
  • THE IDES OF MARCH George Clooney, Grant Heslov, Beau Willimon
  • MONEYBALL Steven Zaillian, Aaron Sorkin
  • TINKER TAILOR SOLDIER SPY Bridget O’Connor, Peter Straughan
Another tough category, but I'm going to predict that the highly succesful Tinker, Tailor will fly the lfag for the British film industry here and win this award. Although if anyone of these tough competitors can give it a run for its money, then it'll be Moneyball which was written by one of the best screenwriters in Hollywood today: Aaron Sorkin.

LEADING ACTOR

  • BRAD PITT Moneyball
  • GARY OLDMAN Tinker Tailor Soldier Spy
  • GEORGE CLOONEY The Descendants
  • JEAN DUJARDIN The Artist
  • MICHAEL FASSBENDER Shame
Gary Oldman became an early favourite for the best actor award after the release of Tinker, Tailor last September, however with The Artist dominating the awards season and Jean Dujardin having already secured award wins for his role in the film, it's a fair bet to put him as favourite to win. Although I wouldn't be surprised to see Oldman win it on the night though, or even dark horse Michael Fassbender either...

LEADING ACTRESS

  • BÉRÉNICE BEJO The Artist
  • MERYL STREEP The Iron Lady
  • MICHELLE WILLIAMS My Week with Marilyn
  • TILDA SWINTON We Need to Talk About Kevin
  • VIOLA DAVIS The Help
Critics have appeared to be a bit hit and miss in their reviews of The Iron Lady, but despite whatever they may think about the film as a whole, most seem to be in agreement that Meryl Streep's performance as Maggie Thatcher seems to be a winner. Although I'd love to see Tilda Switon take it for her role in We need to Talk About Kevin which was one of if not my top film of the year.

SUPPORTING ACTOR

  • CHRISTOPHER PLUMMER Beginners
  • JIM BROADBENT The Iron Lady
  • JONAH HILL Moneyball
  • KENNETH BRANAGH My Week with Marilyn
  • PHILIP SEYMOUR HOFFMAN The Ides of March
For me there are no real stand out winners here for this category, it really could go to any one of these five nominees. As a complete stab in the dark, I'd instinctively say that it would go to either Jim Broadbent or Kenneth Branagh, possibly Philip Seymour Hoffman as a bit of a dark horse, but I think if I had to make a bet on it, I'd put my money on Broadbent.

SUPPORTING ACTRESS

  • CAREY MULLIGAN Drive
  • JESSICA CHASTAIN The Help
  • JUDI DENCH My Week with Marilyn
  • MELISSA MCCARTHY Bridesmaids
  • OCTAVIA SPENCER The Help
Once again, just like the previous category this could go to anyone in this category. Although if I were to make a guess I'd say that the award could possibly go to Carey Mulligan, a young and talented British actress who has quickly risen the ranks to become a very well-known and much sought after actress in the industry.

ORIGINAL MUSIC

  • THE ARTIST Ludovic Bource
  • THE GIRL WITH THE DRAGON TATTOO Trent Reznor, Atticus Ross
  • HUGO Howard Shore
  • TINKER TAILOR SOLDIER SPY Alberto Iglesias
  • WAR HORSE John Williams
Whilst the great John Williams is nominated for War Horse, and Tinker, Tailor featured a fantastic soundtrack from Alberto Iglesias, the award will go to The Artist (as will most) as let's face it, in a silent film the music become even more important, and this film work with that skilfully.

CINEMATOGRAPHY

  • THE ARTIST Guillaume Schiffman
  • THE GIRL WITH THE DRAGON TATTOO Jeff Cronenweth
  • HUGO Robert Richardson
  • TINKER TAILOR SOLDIER SPY Hoyte van Hoytema
  • WAR HORSE Janusz Kaminski
You know what, I'm gonna give The Artist a break here (despite also having great cinematography) and say that the award for cinematography will go to Tinker, Tailor, Soldier, Spy which in my opinion would well and truly deserve to win this award with its incredible cinematography.

EDITING

  • THE ARTIST Anne-Sophie Bion, Michel Hazanavicius
  • DRIVE Mat Newman
  • HUGO Thelma Schoonmaker
  • SENNA Gregers Sall, Chris King
  • TINKER TAILOR SOLIDER SPY Dino Jonsater
Hmm... tough one! If I'm honest I'm really not sure which one to pick here, as all of them use editing very well. I think I'll back the British again and go for Tinker, Tailor again here (let's not let The Artist get too big-headed!)

PRODUCTION DESIGN

  • THE ARTIST Laurence Bennett, Robert Gould
  • HARRY POTTER AND THE DEATHLY HALLOWS – PART 2 Stuart Craig, Stephenie McMillan
  • HUGO Dante Ferretti, Francesca Lo Schiavo
  • TINKER TAILOR SOLDIER SPY Maria Djurkovic, Tatiana MacDonald
  • WAR HORSE Rick Carter, Lee Sandales
Yet again this one's anyone's award to win. Whilst I'd love to see Tinker, Tailor win this award with its fantastic set design and use of mise-en-scene, I'm going to put money on it going to the final film in the Harry Potter franchise which does deserve some sort of nod at these awards for what it's done for the British film industry, and its extravogant fantasy sets do do a very effective job in bringing the world to life.

COSTUME DESIGN

  • THE ARTIST Mark Bridges
  • HUGO Sandy Powell
  • JANE EYRE Michael O’Connor
  • MY WEEK WITH MARILYN Jill Taylor
  • TINKER TAILOR SOLDIER SPY Jacqueline Durran
Once again, all of these nominees are worthy contenders and could easily take home this award. Usually this sort of award can be expected to go to some sort of period drama in which creating such a wardrobe of costumes is no easy feat, which puts Jane Eyre into the spotlight. Although despite this, I find it hard to resist putting forward The Artist again.... actually I've just changed my mind; period drama - the award goes to Jane Eyre.

MAKE UP & HAIR

  • THE ARTIST Julie Hewett, Cydney Cornell
  • HARRY POTTER AND THE DEATHLY HALLOWS – PART 2 Amanda Knight, Lisa Tomblin
  • HUGO Morag Ross, Jan Archibald
  • THE IRON LADY Marese Langan
  • MY WEEK WITH MARILYN Jenny Shircore
Whilst instinctively (as with all of the applicable categories) my gut says The Artist, I can't help but think that Mr Potter could take this one as well along with production design. Hmm... Harry Potter (I don't know why I did that little dramatic pause, you could see who I predicted above anyway!)

SOUND

  • THE ARTIST Nadine Muse, Gérard Lamps, Michael Krikorian
  • HARRY POTTER AND THE DEATHLY HALLOWS – PART 2 James Mather, Stuart Wilson, Stuart Hilliker, Mike Dowson, Adam Scrivener
  • HUGO Philip Stockton, Eugene Gearty, Tom Fleischman, John Midgley
  • TINKER TAILOR SOLDIER SPY John Casali, Howard Bargroff, Doug Cooper, Stephen Griffiths, Andy Shelley
  • WAR HORSE Stuart Wilson, Gary Rydstrom, Andy Nelson, Tom Johnson, Richard Hymns
The Artist - although there is sort of irony about a silent film winning the award for sound!

SPECIAL VISUAL EFFECTS

  • THE ADVENTURES OF TINTIN: THE SECRET OF THE UNICORN Joe Letteri
  • HARRY POTTER AND THE DEATHLY HALLOWS – PART 2 Tim Burke, John Richardson, Greg Butler, David Vickery
  • HUGO Rob Legato, Ben Grossman, Joss Williams
  • RISE OF THE PLANET OF THE APES Joe Letteri, Dan Lemmon, R. Christopher White
  • WAR HORSE Ben Morris, Neil Corbould
All of these films feature fantastic special visual effects, but the award will almost definitely go to Harry Potter, just on principle really - with the success that it's brought to the British film industry and as this is the last film of the franchise as well.

SHORT ANIMATION

  • ABUELAS Afarin Eghbal, Kasia Malipan, Francesca Gardiner
  • BOBBY YEAH Robert Morgan
  • A MORNING STROLL Grant Orchard, Sue Goffe
I'll admit here I have no idea! I've not seen any of these films nor have I even heard of any of them! Hang on, brb, Googling.... Ok so I just found trailers for the latter two, and whilst Bobby Yeah featured some pretty cool stop motion animation, A Morning Stroll had a very cool and unique stylistic look to it and most importantly - a catchy little soundtrack!

SHORT FILM

  • CHALK Martina Amati, Gavin Emerson, James Bolton, Ilaria Bernardini
  • MWANSA THE GREAT Rungano Nyoni, Gabriel Gauchet
  • ONLY SOUND REMAINS Arash Ashtiani, Anshu Poddar
  • PITCH BLACK HEIST John Maclean, Gerardine O’Flynn
  • TWO AND TWO Babak Anvari, Kit Fraser, Gavin Cullen
Yet again like with the animated short category - not got a clue here! As I can't be bothered to google these as there are even more here than the previous category, I'm going to just pick one out at random: Only Sound Remains (it'll be hilarious if I get this one right! Just sayin'...)

THE ORANGE WEDNESDAYS RISING STAR AWARD (voted for by the public)

  • ADAM DEACON
  • CHRIS HEMSWORTH
  • CHRIS O’DOWD
  • EDDIE REDMAYNE
  • TOM HIDDLESTON
Finally reached the final category, it's only taken me a week to do so! Ok so this one's voted for by the public, and whilst I think all of these guys are great and upcoming actors and directors, Chris O'Dowd will undoubtedly get the public's love after starring in the incredibly popular and much-loved TV series The IT Crowd.

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So there we are, and if you managed to read through all of that well then kudos to you! Make sure to pop back to the blog after the awards ceremony on the 12th February to find out how many of my predictions were right (wish me luck, my heads on the line here!). I was planning on doing one for the Oscars too when those nominations are released, but this took ages and I have other stuff to do too; but just in case keep your eyes peeled for that too! (maybe...)

Agree or disagree? Leave your comments below on what you think about the BAFTA nominations and who you think will win!