Showing posts with label The Woman in Black. Show all posts
Showing posts with label The Woman in Black. Show all posts

Tuesday, 1 January 2013

2012's Cinema Nightmares!



2012 has come and gone, and as we welcome in 2013 and build up to my imminent Top 12 of '12 list, as well as the First Annual Beyond Infinity Film Awards later in the month, here's something a little bit different. There's no denying the 2012 was a great year for film, but there were a number of releases that were a little less satisfying; in short, that sucked! So here it is, my 10 least favourite films of 2012 out of the all of the films that I had the displeasure of watching - brace yourself folks, here we go...


Daniel Radcliffe's first big screen project since the end of the gargantuan Harry Potter franchise set the actor his biggest challenge yet; shaking off the weight of the franchise that made his name and to break away from it before becoming stereotyped into the part. So did he do it? No, of course not. I know this may sound like I'm just bullying Radcliffe by badmouthing his career, yet it is this performance that drags down what could have been a special horror film that opted for a more traditional style instead of the tiring Paranormal Activity and Saw films that have plagued the cinema in recent years. Not only did I never believe that the young actor was a widowed father and a successful lawyer, the big problem was that I never saw a character at all, just a performance - or rather an attempt at one. Failing to get behind the lead character meant that the film failed to get an emotional response from me, making The Woman in Black lose all sense of peril and credibility as a result. Click here to read the full review.


I've actually been a strong defender of John Carter, making it known that I believe that the film is no-where near as bad as all of the negative press surrounding it made it out to be - there are far worse films out there that deserve such bad publicity a lot more. In fact John Carter was actually a rather interesting film in context, just as long as you consider the fact that it is adapted from a book published in 1917, then you can see how it was such a strong source of inspiration for most science fiction pieces since, including the likes of Star Wars and Avatar. Yet the film certainly isn't perfect - the performances and storytelling aren't groundbreaking, and I often find the heavy use of CGI somewhat off-putting - but it certainly isn't the worst film released this year... Click here to read the full review.


Despite Meryl Streep's much deserved award winning performance, The Iron Lady was a film that didn't quite get it all right. Whilst the scenes set in the past were engaging and well done, the constant jumps back to the present day Thatcher became a nuisance to me, destroying the flow and the entertainment of the whole film in order to attempt an emotional punch, which I hardly felt as a result. Had the film opted for a simpler narrative looking at Thatcher's incredible historic story - rather than focussing so much on the rather controversial and uncomfortable themes of the dementia of a woman who is still alive and suffering today - the film would have been a much better product as a result. Click here to read the full review.


This one might turn a few heads as Seth MacFarlane's Ted was one of the most popular films of the Summer for a lot of people, but I really didn't think it was all that it is cracked up to be. A new film by the creator of hit TV show Family Guy promised a fresh new inventive comedy, but failed to deliver - there was nothing new or interesting about the film at all. That's not the problem though, the problem is that bar a few moments of great humour, the film wasn't even that funny, which was not helped either by the completely predictable and unengaging plot, and the two-dimensional characters that I just didn't care about at all. The gag is that the teddy bear is alive, and is grown up so swears, does drugs and drinks, etc; the problem is that the joke lasts for 105 minutes longer than it needs to (and yes, the running time was 106 minutes long).  In all honesty Ted bored me more than it entertained me, which is a real shame because someone like MacFarlane has got the talent to create something a lot better than this. Click here to read the full review.


What could have been a wonderful family film adaptation of a book from the genius of Dr. Suess in fact turned out to miss the demographic by a long shot, featuring a ton of entertainment for anyone under five, and very little for anyone else. It is commendable for trying to push its environmental message to the young audience; I just wish that it did it a little more subtly rather than clubbing me around the head with it for the duration of the running time. The songs were pretty fun though. Click here to read the full review.


Just as many people loved Ted, a lot of critics seemed to go wild for the Charlize Theron starring film Young Adult. Yet there is a lot that is fundamentally wrong with the film. Theron's character, an adult still acting as if she's in her teens, is entirely unlikable and although it is arguable that she is not meant to be, the point still stands that I just cannot sympathise with her; especially when the film goes no-where by the end of it! There is no character development, nor any conclusion to her story, by the film's climax she simply fails in her warped plan, sleeps with someone for pity and then uses those who she continues to look down upon for an ego-boost, before going back to what she was doing at the start. Completely anti-climatic and not nearly as funny or clever as it thinks it is, Young Adult is not as good as some critics make it out to be.


While the original was fun, The Expendable 2 is mostly anything but. Tedious, loud, and void of any plot or characters, the explosive sequel goes bigger, but by no means better. Whilst it is redeemed slightly by the big finale which manages to hit the nail on the head and provide the tongue in cheek action fun promised by the packed cast, it is not worth watching the previous hour and a half of the film that takes itself far too seriously to get there. Click here to read the full review.


If John Carter and The Expendables 2 had a baby, it might look like Wrath of the Titans. Soulless and even more two dimensional than the film's 3D effects, watching Wrath of the Titans is about as much fun as smashing your own face in with a large rock. A lot of the expensive CGI-heavy budget is put towards creating not a lot of action at all, as nothing really actually happens in the film. Even the great Liam Neeson spends his time in the film standing there and doing nothing, literally! To think that the film features two of the leading actors from Schindler's List and completely wastes them says an awful lot about this awful film. Whilst Clash of the Titans infamously featured no Titans clashing, this sequel does feature a Titan, but nothing in the way of any wrath, nor enjoyment, excitement or entertainment. Click here to read the full review.


Tom Hardy is a very talented actor, and has starred in two fantastic films this year in two fantastic, menacing, brilliant roles. These films are The Dark Knight Rises and Lawless, because unfortunately even someone as great as Hardy couldn't save the abysmal This Means War. I don't even know where to begin, the film is just stupid. Two spies using their tech and skill to spy on a girl that they are both seeing, and to sabotage each other's dates with her, whilst at the same time the evil villain that they are meant to be stopping is completely forgotten about just like that - ya know, 'cause this is way more important! It's a film that tells people that it's alright to cheat on others and go behind their backs. Formulaic, unfunny, bland, tedious, irritating and terribly cynical, the feeling that you get when watching this film is not unlike the vile after-taste of vomit at the back of your throat. Tom Hardy can do better films than this, and judging by the expression void of any enthusiasm that he shows throughout the film, he knows it too.


I love film. I think that's pretty clear to everyone who knows me or reads this blog. I can't get enough of film, so much so that I'm currently dedicating my life to it. But on a very rare occasion I do have wonder why, especially if I see a film so repugnant and horrible as The Watch. I can't remember ever walking out of a film that was genuinely so bad that it actually gave me a headache! It's ridiculous, stupid, vulgar and not even slightly funny or enjoyable at all. I sat in a screening full of teenagers (who the film is targeting) and I don't remember the film getting a single laugh from anyone. The cast are irritating beyond belief; Ben Stiller is void of humour as the straight man, Vince Vaughn is one of the most unbearable screen presences in film, the recently Oscar nominated Jonah Hill plays an imitation of Zach Galifianakis in The Hangover (and seemingly every other one of his films), and the talents of Richard Ayoade are completely wasted as he gets pushed to the back. This film is a soulless, money grabbing machine designed only to take the money out of your pocket rather than to entertain even slightly - I guarantee that no-one making The Watch thought that it was a good idea, and no-one involved will be proud of it. A film so horrifyingly bad that, The Watch made me so angry that I almost lost faith in film - avoid it like the plague, even if you have to catch the plague to avoid it! Click here to read the full review. 


So there it is, my 10 least favourite films of the 2012, but what were yours? Perhaps some of your favourites are even in my list? Leave your thoughts and lists in the comments section below, as always I'd love to hear what you think. Oh, and Happy New Year everyone - let's hope that 2013 doesn't have many films as bad as these!

Monday, 14 May 2012

Review: The Cabin in the Woods


If you go down to the woods today, you'd better be prepared to laugh and scream your socks off!

When five teenage friends decide to go on away for a break to one of their cousin's cabin in the woods, none of them were expecting the horrors that they'd encounter as their getaway paradise quickly becomes anything but! With a unexpected secret force behind the unfolding events, one thing's for sure; the lives of Dana (Kristen Connolly), Curt (Chris Hemsworth), Jules (Anna Hutchison), Marty (Fran Kranz) and Holden (Jesse Williams) will never be the same again - that is of course assuming that they make it out alive...

On the surface, The Cabin in the Woods may appear to look like a cliched and generic horror film, and that's because it's designed to be! It's very hard to say a lot about this film without ruining it and it's twist that you'll have probably heard everybody talking about, but avoid it at all costs because seeing the film unaware will make that much more rewarding. What I will say is that the twist is what makes the film a stand out horror piece, even though it may appear for all intents and purposes to be anything but. The use of such over-cliched generic conventions from the horror genre these days will often make people groan and roll their eyes at the formulaic piece of horror that they'll have undoubtedly seen before a hundred times. What The Cabin in the Woods very cleverly does is takes all of these conventions and cliches from the horror genre and turns them on their head with a unique story that in many ways actually goes on to somewhat justify and explain them.

Curt (Chris Hemsworth), Holden (Jesse Williams) Jules (Anna Hutchison), Marty (Fran Kranz) and Dana (Kristen Connolly) investigate the mysterious goings-ons in The Cabin in the Woods

Not only does this well-executed twist make the film a love-letter to the horror genre and a film made for horror fans, but it also makes it incredibly funny, resulting very much so in a horror-comedy that is just as funny as it is scary; a rare feat that I have never seen pulled off as well as it is here. Whilst the cliched horror elements make you laugh at just how cliched they are, they do genuinely provide scares at the same time; and without revealing too much about the secrets behind the twist, I will say that Richard Jenkins and Bradley Whitford steal the show with many of the film's biggest laugh out loud moments in their roles as Sitterson and Holden respectively. Whilst mixing the horror and comedy genres has been attempted many times in the past, it has never been executed quite as well as The Cabin in the Woods has managed to do, with the laughs and thrills coming thick and fast, and often hand in hand. The comedy complements the horror, and the horror complements the comedy - and despite the cleverness of its twist, this is truly what makes the film work as well as it does.

As scary as The Woman in Black; as funny as The Muppets and Jeff, Who Lives at Home; and as much a love-letter to cinema as The Artist; The Cabin in the Woods perfectly balances comedy and humour with it's very clever twist to form a love-letter to the horror genre that packs as many laughs as it does genuine chills. After producing this and directing Marvel's Avengers Assemble, Joss Whedon seems to be the man of the moment - showing some of the other releases of 2012 just how it's done!


Verdict: 5/5

The Cabin in the Woods is still showing in cinemas across the UK.

Agree or Disagree? Leave your comments below!

Wednesday, 11 April 2012

Review: The Woman In Black


Daniel Radcliffe attempts to defeat his greatest adversary yet: typecasting - in Harry Potter and the Woman in Black!

The classic British horror studio Hammer, the studio behind some of the most iconic horror films including Christopher Lee's Dracula, makes a welcome and much overdue return to the big screen limelight with their adaptation of Susan Hill's 1983 novel: The Woman in Black. Well known to a lot of people today through the terrifying West End stage play, The Woman in Black follows the story of Arthur Kipps (Daniel Radcliffe), a young solicitor and single father (after the untimely passing of his wife during labour to his son) who has the tricky task of sorting out and selling Eel Marsh House. Soon after his unwelcome arrival to the village, Kipps discovers the tragic curse of the house, and it's paranormal inhabitant; the ghostly Woman in Black.

Directed by James Watkins (Eden Lake) and written by Jane Goldman (Kick-Ass, X-Men: First Class), the film does a very good job of capturing the tensions and thrills of an old fashioned horror film. Numerous scenes of the film are beautifully shot in a way to hide and reveal the ghostly characters in a truly chilling manor. Even the loud-noise moments used to make the viewers jump out their seats - a technique that can often come across as cheap and cheesy with little skill needed and little reward (Paranormal Activity, I'm looking at you!), are done during this film very well too as a way to support the the more subtle and perfectly executed thrills, concepts and themes that allow the film to excel and have greater effect upon its audience. The story itself is fantastically adapted to the big screen, despite the fact as I'm reliably informed that there are some significant changes made from the book and the play. Whilst the ending initially seems slightly rushed and poorly thought out, the film's final conclusion is one that works well for the big screen and makes the film last with its audience long after they leave the cinema.


Arthur Kipps (Daniel Radcliffe) in The Woman in Black

However the film is far from perfect, with one main problem causing it to unfortunately flounder: Daniel Radcliffe. Whilst Radcliffe has clearly done the job the producers wanted him to do: sell the film to the Harry Potter market (hence the 12A certificate instead of 15) making it one of the most successful British horror films ever made, his performance ultimately lets the film down. As I sat watching the opening scenes as the film introduced his character, I experienced something that I have never experienced before: I sat there thinking "he's just acting" - and worse than that, "he's just trying to act!" Whilst even the biggest actors instantly become their characters within a film rather than leaving the audience remembering their external lives and careers, Radcliffe's poor and unbelievable acting brought me out of the film and prevented me from connecting to his character, background and story - something that is crucial in any film, particularly in this one. This is partly due to the fact that Radcliffe seems too young to be a father figure, but ultimately his performance on the whole lets down the film. Later in the film, when the Scooby-Doo style ghost chase commences, Radcliffe then does the one thing he probably didn't want to do; he becomes Harry Potter, with too much of a similar performance as his character urgently rushes around to save the day. Radcliffe, who clearly needed a film like this in order to separate himself quickly from the heavy burden of the Harry Potter franchise, which has lead his career for the last decade, ultimately fails to establish himself as a serious actor in this film; it'll certainly be interesting to see where his career goes next...

The Woman in Black does a great job of creating a chilling and thrilling ghost story that revisits the old fashioned feel of the classic horror film from the likes of Hammer; thanks to fantastic direction from James Watkins and a brilliantly adapted screenplay by Jane Goldman. However the film feels let down by the main performance by Daniel Radcliffe, who can't seem to shake off the ghost of Harry Potter let alone the ghost of the Woman in Black! In comparison to other recent horror film offerings including the Paranormal Activity and Saw franchises, this film is a horror genre treat that is certainly worth a watch.


Verdict: 3/5

The Woman in Black is still showing in cinemas across the UK.

Agree or Disagree? Leave your comments below!