Showing posts with label Dr. Seuss' The Lorax. Show all posts
Showing posts with label Dr. Seuss' The Lorax. Show all posts

Tuesday, 1 January 2013

2012's Cinema Nightmares!



2012 has come and gone, and as we welcome in 2013 and build up to my imminent Top 12 of '12 list, as well as the First Annual Beyond Infinity Film Awards later in the month, here's something a little bit different. There's no denying the 2012 was a great year for film, but there were a number of releases that were a little less satisfying; in short, that sucked! So here it is, my 10 least favourite films of 2012 out of the all of the films that I had the displeasure of watching - brace yourself folks, here we go...


Daniel Radcliffe's first big screen project since the end of the gargantuan Harry Potter franchise set the actor his biggest challenge yet; shaking off the weight of the franchise that made his name and to break away from it before becoming stereotyped into the part. So did he do it? No, of course not. I know this may sound like I'm just bullying Radcliffe by badmouthing his career, yet it is this performance that drags down what could have been a special horror film that opted for a more traditional style instead of the tiring Paranormal Activity and Saw films that have plagued the cinema in recent years. Not only did I never believe that the young actor was a widowed father and a successful lawyer, the big problem was that I never saw a character at all, just a performance - or rather an attempt at one. Failing to get behind the lead character meant that the film failed to get an emotional response from me, making The Woman in Black lose all sense of peril and credibility as a result. Click here to read the full review.


I've actually been a strong defender of John Carter, making it known that I believe that the film is no-where near as bad as all of the negative press surrounding it made it out to be - there are far worse films out there that deserve such bad publicity a lot more. In fact John Carter was actually a rather interesting film in context, just as long as you consider the fact that it is adapted from a book published in 1917, then you can see how it was such a strong source of inspiration for most science fiction pieces since, including the likes of Star Wars and Avatar. Yet the film certainly isn't perfect - the performances and storytelling aren't groundbreaking, and I often find the heavy use of CGI somewhat off-putting - but it certainly isn't the worst film released this year... Click here to read the full review.


Despite Meryl Streep's much deserved award winning performance, The Iron Lady was a film that didn't quite get it all right. Whilst the scenes set in the past were engaging and well done, the constant jumps back to the present day Thatcher became a nuisance to me, destroying the flow and the entertainment of the whole film in order to attempt an emotional punch, which I hardly felt as a result. Had the film opted for a simpler narrative looking at Thatcher's incredible historic story - rather than focussing so much on the rather controversial and uncomfortable themes of the dementia of a woman who is still alive and suffering today - the film would have been a much better product as a result. Click here to read the full review.


This one might turn a few heads as Seth MacFarlane's Ted was one of the most popular films of the Summer for a lot of people, but I really didn't think it was all that it is cracked up to be. A new film by the creator of hit TV show Family Guy promised a fresh new inventive comedy, but failed to deliver - there was nothing new or interesting about the film at all. That's not the problem though, the problem is that bar a few moments of great humour, the film wasn't even that funny, which was not helped either by the completely predictable and unengaging plot, and the two-dimensional characters that I just didn't care about at all. The gag is that the teddy bear is alive, and is grown up so swears, does drugs and drinks, etc; the problem is that the joke lasts for 105 minutes longer than it needs to (and yes, the running time was 106 minutes long).  In all honesty Ted bored me more than it entertained me, which is a real shame because someone like MacFarlane has got the talent to create something a lot better than this. Click here to read the full review.


What could have been a wonderful family film adaptation of a book from the genius of Dr. Suess in fact turned out to miss the demographic by a long shot, featuring a ton of entertainment for anyone under five, and very little for anyone else. It is commendable for trying to push its environmental message to the young audience; I just wish that it did it a little more subtly rather than clubbing me around the head with it for the duration of the running time. The songs were pretty fun though. Click here to read the full review.


Just as many people loved Ted, a lot of critics seemed to go wild for the Charlize Theron starring film Young Adult. Yet there is a lot that is fundamentally wrong with the film. Theron's character, an adult still acting as if she's in her teens, is entirely unlikable and although it is arguable that she is not meant to be, the point still stands that I just cannot sympathise with her; especially when the film goes no-where by the end of it! There is no character development, nor any conclusion to her story, by the film's climax she simply fails in her warped plan, sleeps with someone for pity and then uses those who she continues to look down upon for an ego-boost, before going back to what she was doing at the start. Completely anti-climatic and not nearly as funny or clever as it thinks it is, Young Adult is not as good as some critics make it out to be.


While the original was fun, The Expendable 2 is mostly anything but. Tedious, loud, and void of any plot or characters, the explosive sequel goes bigger, but by no means better. Whilst it is redeemed slightly by the big finale which manages to hit the nail on the head and provide the tongue in cheek action fun promised by the packed cast, it is not worth watching the previous hour and a half of the film that takes itself far too seriously to get there. Click here to read the full review.


If John Carter and The Expendables 2 had a baby, it might look like Wrath of the Titans. Soulless and even more two dimensional than the film's 3D effects, watching Wrath of the Titans is about as much fun as smashing your own face in with a large rock. A lot of the expensive CGI-heavy budget is put towards creating not a lot of action at all, as nothing really actually happens in the film. Even the great Liam Neeson spends his time in the film standing there and doing nothing, literally! To think that the film features two of the leading actors from Schindler's List and completely wastes them says an awful lot about this awful film. Whilst Clash of the Titans infamously featured no Titans clashing, this sequel does feature a Titan, but nothing in the way of any wrath, nor enjoyment, excitement or entertainment. Click here to read the full review.


Tom Hardy is a very talented actor, and has starred in two fantastic films this year in two fantastic, menacing, brilliant roles. These films are The Dark Knight Rises and Lawless, because unfortunately even someone as great as Hardy couldn't save the abysmal This Means War. I don't even know where to begin, the film is just stupid. Two spies using their tech and skill to spy on a girl that they are both seeing, and to sabotage each other's dates with her, whilst at the same time the evil villain that they are meant to be stopping is completely forgotten about just like that - ya know, 'cause this is way more important! It's a film that tells people that it's alright to cheat on others and go behind their backs. Formulaic, unfunny, bland, tedious, irritating and terribly cynical, the feeling that you get when watching this film is not unlike the vile after-taste of vomit at the back of your throat. Tom Hardy can do better films than this, and judging by the expression void of any enthusiasm that he shows throughout the film, he knows it too.


I love film. I think that's pretty clear to everyone who knows me or reads this blog. I can't get enough of film, so much so that I'm currently dedicating my life to it. But on a very rare occasion I do have wonder why, especially if I see a film so repugnant and horrible as The Watch. I can't remember ever walking out of a film that was genuinely so bad that it actually gave me a headache! It's ridiculous, stupid, vulgar and not even slightly funny or enjoyable at all. I sat in a screening full of teenagers (who the film is targeting) and I don't remember the film getting a single laugh from anyone. The cast are irritating beyond belief; Ben Stiller is void of humour as the straight man, Vince Vaughn is one of the most unbearable screen presences in film, the recently Oscar nominated Jonah Hill plays an imitation of Zach Galifianakis in The Hangover (and seemingly every other one of his films), and the talents of Richard Ayoade are completely wasted as he gets pushed to the back. This film is a soulless, money grabbing machine designed only to take the money out of your pocket rather than to entertain even slightly - I guarantee that no-one making The Watch thought that it was a good idea, and no-one involved will be proud of it. A film so horrifyingly bad that, The Watch made me so angry that I almost lost faith in film - avoid it like the plague, even if you have to catch the plague to avoid it! Click here to read the full review. 


So there it is, my 10 least favourite films of the 2012, but what were yours? Perhaps some of your favourites are even in my list? Leave your thoughts and lists in the comments section below, as always I'd love to hear what you think. Oh, and Happy New Year everyone - let's hope that 2013 doesn't have many films as bad as these!

Monday, 16 July 2012

Review: Dr. Seuss' The Lorax


Rhyming my sentences, I'll try to avoid, or before too long, you'll all get annoyed.
The temptation is there, but I'll give it a miss, I want my review to get cheers, not a boo or a hiss.
Although it'd be quite cool, to write this in rhyme, to be quite frank, I just don't have the time.
But that's beside the main point, I have something to do, so here it is folks, here's my Lorax review!

There, now that I've got that out of my system let's get on to actually reviewing Universal's upcoming animated film adaptation of Dr. Seuss' The Lorax! The town of Thneedville is like no-other: it's a town where everything is plastic, even the plants and the trees - and in a town with no natural trees, even the air is manufactured and sold! But when a young boy named Ted (Zac Efron) sets out to find a tree in order to impress Audrey (Taylor Swift), the girl of his dreams, the tale of what actually happened to the trees - the tale of The Lorax (Danny DeVito), protector of the forest and voice for the trees - is told to him by the mysterious Once-ler (Ed Helms); inspiring Ted to take action in order to make a change for the better...

One thing that struck me as particularly interesting about Dr. Seuss' The Lorax is the way that the classic literary tale has been adapted for the big screen, in particular the narrative structure that they've opted to present it in. Essentially the film is made up of two stories - the current predicament of Ted and the O'hare corporation who are selling air to the inhabitants of Thneedville, and the old tale of The Once-ler and The Lorax and what happened to all of the trees in the first place - both of which are presented simultaneously through the film, connected together with The Once-ler telling his story to Ted. Whilst this is not a particularly new way of presenting a film, and a non-linear narrative structure being something that other filmmaker have experimented with much more in other films, as a family film it is interesting to see something more than a standard linear narrative being used; something that works to this film's strength.

The Once-ler (Ed Helms), The Lorax (Danny DeVito) and their cuddly woodland friends take in the vibrant and colourful world of Dr. Seuss' The Lorax

With its two stories - Ted's being mostly unique to the film whilst The Lorax/The Once-ler's originating from and remaining faithful to Seuss' original book - we are presented with a pleasant enough story, with a touching and thought provoking environmental message which is shown heavily throughout - giving The Lorax the biggest 'save the planet' massage in cinema since Avatar and Wall-E! The message is more than clear enough, but serves its purpose well by informing the very young rather than being too in your face as to put you off. The Lorax also boasts a very good soundtrack with its unique original songs that reinforce its messages whilst helping the film to move along, and being damn catchy at the same time too; the higlight song being The Once-ler's 'How bad can I be?' which is sung by Ed Helms (from Jeff, Who Lives at Home), making it especially hard to resist for anyone who's seen The Hangover ("Dug, Dug, Duggy-Dug-Dug..."). Evoking a sense of irresistible Seussical-ness, the memorable and humorous songs are a great asset to the film.

However, whilst the songs bring a Seuss like vibe to the proceedings, in many respects the film simply doesn't feel as Seussical as you'd want it to be. The iconic quirky style of the Seuss worlds, characters and creatures in many respects aren't really all that prominent in this film bar a few exceptions, instead we get a slightly more real-world set of characters and creatures in order to reinforce the metaphor for the prallels within our own world that form the film's environmental message. Alongside this, with its cutesy woodland characters such as the cuddly bears et al. The Lorax appeals to very young children more than it does to the entire family as you'd expect from an animated film heavily marketed as coming from the makers of the hugely popular Despicable Me. There are some gags there for the whole family, but the majority feels as though it's being aimed at the younger members of the audience as it tries to educate them with its environmental warning. This is a shame as it's limited market truly let's the film down. Placed next to any film made by Pixar Animation Studios, and suddenly The Lorax feels somewhat unremarkable in comparison.

A pleasant enough film with an enjoyable enough story, catchy enough songs and a environmental message that is actually quite heartwarming, Dr. Seuss' The Lorax limits itself by being a film that ends up being more appealing to the very young rather than something for the whole family. Not quite as Seussical as you'd want it to be either, the film is good enough to watch and enjoy, but not good enough to last in your memories or to become anything particularly timeless. It'll always be a difficult challenge for an animation studio to beat the films of Pixar, and with Brave being released in just a few weeks, the overwhelming legacy of this studio unfortunately hinders The Lorax (Wall-E 1-0 Lorax); but with an adaptation of The Cat in the Hat coming soon from the same studio, it's better luck next time Seuss!

All this Seussical whimsicalness, I'll leave to the pro, because right now, it's about time I go.
So long all my friends, hope you enjoyed my review, I have seen The Lorax, the question is: will you?


Verdict: 2/5

Dr. Seuss' The Lorax is released in cinemas across the UK on July 27th 2012 (Advanced Previews on the 21st and 22nd July).

Will you be visiting The Lorax? If you've seen it what did you think? Leave your comments below!