The Great Review Revue!

Any eager readers may have noticed that there hasn't been an awful lot of activity here on Beyond Infinity Film for quite a while (over a month!) and for that I sincerely apologise - University work and adventures to New York, New York may have kept me occupied of late; but fear not, for as the great and powerful Schwarzenegger would say: "I'm back!"

Since my last article, a lot has happened within the world of film, most notably of course being the Academy Awards, in which Ben Affleck's Argo of course took the Oscar for Best Picture (rightly or wrongly, who am I to say... but it's wrongly!), and with it came the last wave of awards season film releases trying to win the hearts of awards season voters. I was fortunate enough to be able to see most of the best picture nominees in the lead up to the big night (sorry Beast of the Southern Wild, I did miss ye!), as you are about to see. If you are still wondering what this article is all about, this essentially a catch-up of the films I caught, and the reviews I missed, hence the title - The Great Review Revue! It's like that old joke about buses, when you wait for one to show up and two show up at the same time, except this time six have shown up, very, very late... (sorry, better late than never!)

Lincoln (Certificate 12A)
I don't think that anyone was surprised when Daniel Day Lewis picked up his record breaking third leading actor Oscar for his remarkable performance as former US President Abraham Lincoln in Steven Spielberg's magnificent biopic; quite frankly it's just a shame that the film didn't pick up many more awards than that! One of my favourites of this years big contenders (alongside Ang Lee's Life of Pi), the film focuses in great depth on the final defining years of Lincoln's presidency, with great drama, emotion and authenticity. Spielberg's direction and talent for large scale drama (especially in war time America), paired with a solid cast of performances (none more impressive than that of the lead) made Lincoln a well and truly authentic feeling piece of cinema, bringing the people and era to life like never before. A masterful, triumphant and unmissable piece of filmmaking by the world's most iconic director.
Verdict: ★★★★★

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Zero Dark Thirty (Certificate 15)
Katherine Bigelow's follow-up to Oscar winning The Hurt Locker saw the director returning to modern warfare with the controversial film about the search and capture mission of Osama bin Laden. Zero Dark Thirty is very bold move for the director, but one that more than paid off. ZDT is a very edgy, tense thriller that gives its spectators a lot to consider. What is particularly excellent about the film is that it creates the basis for further discussion on the many (and there are many) controversial real life events that occurred in the hunt for bin Laden, in particular the scenes of torture that sparked big reactions in the media, some of which look like they've been lifted straight out of a Saw film! Brave is certainly the appropriate word to sum up Bigelow's latest film, especially so soon after the events themselves actually happened, but regardless of the arguments in the media Zero Dark Thirty provides an interesting commentary of recent years, and is not to be missed.
Verdict: ★★★★★

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Django Unchained (Certificate 18)
The release of Django Unchained alongside the aforementioned Lincoln created an unusual brief trend of slave films in cinemas, but Tarantino's latest couldn't be more different if it tried (provoking an interesting point of comparison for a 6 hour double bill). The usual Tarantino shtick can often be a little hit 'n' miss for me, but perhaps the thing that I admire most about Django is it's reinvention of the old Western genre that reinvigorated it for a modern contemporary audience with huge success. Personally I could have done with a little less of the extreme violence in the film (cue the usual "but it's a Tarantino film!" response) as it wasn't necessarily unnecessary, just not what I want to see - slightly tip-toeing past the line of taste and decency a couple of times. Aside from that, and a few songs that felt too modern and out of place, Django Unchained was an enjoyable - if not a little long - film, with a strong award winning screenplay written by its often fascinating and always quirky director.
Verdict: ★★★★☆

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Amour (Certificate 12A)
Michael Haneke is not famously known for being a nice and cutesy film director (his film Funny Games - either the original or the US remake, they're both essentially the same - is perhaps one of the few films that has shaken me up the most), therefore a film about the loving relationship of an elderly couple, the female half of which is slowly deteriorating as her time runs out (played in an extraordinary performance by Emmanuelle Riva), doesn't really sound like his kind of thing. So it is slightly ironic that this could well and truly be Haneke's masterpiece. From the film's description it certainly sounds like it would be quite a tear jerker, but rather surprisingly I actually sat through the film dry eyed, which is no bad thing, in fact I applaud the film for it. The filming style, the fantastic performances and perhaps most importantly of all the complete absence of non-diegetic music through the film make the film feel  very, very real as opposed to a fictional piece (it is only the edits through greater periods of time that reminded me that it was a film). Had Hankeke wanted me to sob like a baby he could have, but instead of abiding to mainstream conventions of layering schmaltzy music over the film to tell the audience what to feel, he does the opposite, and what comes as a result is a highly engaging and remarkable piece of filmmaking.
Verdict: ★★★★★

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Cloud Atlas (Certificate 15)
It's a bit of an enigma this one, but as with everything you take as much from it as you put in - so invest, because it's worth your time if you do. Based on the book by David Mitchell (no, not that one), Cloud Atlas is a multi-narrative story that tells the tales of many different groups of people from many different periods of time (played by the same actors, yet avoiding becoming a game of 'Where's Tom Hanks?'), presented cleverly through some superb editing to allow the viewer to see the links that join everyone together. For most of the film it may be hard to tell where everything is actually going (after a quick toilet break I asked my dad who I went with if I had missed anything important, to which he replied "no... or maybe you've missed the whole thing - I don't know!"), but for a film that is short of 3 hours long, it never got uninteresting, inaccessible or boring. It's a film that you could study to no-end, but at the end of it all I got a great sense of humanity, and what makes us as a human race all unified as one, and it takes a very impressive film to pull that off! All things considering, it is a shame that not many people actually went to see Cloud Atlas, it could have really benefited from a few deserved Oscar nominations to drive up the ticket sales...
Verdict: ★★★★★

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Top Gun 3D (Certificate 12A)
Consider this a little bonus review; firstly because it's a 27 year old film, secondly because it's a 3D/IMAX re-release, and thirdly because it hasn't actually got a UK release date (not yet at least!). Nevertheless, during my trip to New York I had a free night and decided to give the American cinema experience a go (25 screen AMC multiplex at Times Square), and as I decided that nothing else was really worth watching (25 screens and nothing on...) I was saved by one of the final performances of the limited 3D re-release of Top Gun. I'm not a 3D fan, but truth be told it was done pretty well for Top Gun, especially impressive considering its age. Of course it was the aerial training/fighting shots that worked the best (I don't need to see Tom Cruise's changing room/sex scenes in 3D), but truthfully the best bit was just the experience of seeing the blockbuster classic on the big screen. The 80s-tastic, action-packed, banter-filled and genuinely heartfelt, unashamed popcorn blockbuster flick (not to mention its kick-ass soundtrack) is and will remain the great reminder of the late Tony Scott's cinematic legacy, and long may it last.
Verdict: ★★★★☆

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Most of these films may have come and gone from the cinemas (and in the case of Top Gun 3D may never even arrive!), but if you get a chance to catch any, or pick up the inevitable DVD release that will soon be here then I certainly recommend that you do. We're only a few months in, and 2013 has already shown a promising start for what is already shaping up to be another great year of cinema...

12 of '12! Part 1.

2012 was an incredible year in cinema, making it one of the most successful years on record! Of course that'll come as no surprise in a year when Avengers assembled, skies fell, Dark Knights rose, games were hungry, Pixar were Brave, journeys were unexpected and the folks at Disney were a bunch of Muppets! The other day I looked back over the year in my list of the worst 10 films that I (rather unfortunately) saw, but now it's time to be a bit more positive at the past year in film, as I begin my look back over my top 12 films of 2012 (that I managed to see!)...

Not necessarily a film that was lapped up by the masses, The Cabin in the Wood was certainly one that film and horror lovers enjoyed immensely. A unique horror comedy that combined the two genres expertly to create a film for cinephiles the world over, The Cabin in the Woods was simply a lot of fun from start to finish, with its Scream-like post-modern concept that attempted to explain why the clichés of the horror genre exist through its somewhat self-aware narrative. A lot of the best films recently have been films about cinema and film itself (take a look back to The Artist and Hugo just last awards season), and this hilariously fun film continues that trend and compliments them perfectly. Click here to read the full review.

It's the film the put the 'AAARGH' into Aardman - and if you thought that was a pun too far, you must have missed this film! The humour of The Pirates is a rich as the detailed stop-motion animated models and sets are themselves. Half of the fun in fact comes from looking at the signs in the background, for stores such as 'Man Ke Laundry' and 'D.K.Ying Dentistry,' one shop even claimed to have their 'Biggest Ever Sail!' As with all of the Bristol based Aardman studio pieces, the film epitomises that unique British sense of humour that may not have gone down as well overseas, but leaves all the more for us to enjoy. Enormously witty and filled with charm, The Pirates! In an Adventure with Scientists is a film for all, and another clay gem in Aardman's chest of cinematic treasures. It has to be said that meeting some of The Pirates themselves was a pretty awesome experience too - those clay puppets are amazing!

Heavily tipped for awards season glory, I initially didn't quite get what all of the hype surrounding Paul Thomas Anderson's The Master was all about. The performances were fantastic, the characters fascinating, each shot beautifully presented like a 1950s postcard, and the story was an interesting one, but I wasn't blown away by it by any means. Yet the film slowly began to sink in after leaving the theatre, and after a while I found myself wanting more over time, in a similar way to how I felt the first time I saw Scorsese's Taxi Driver - and let's face it if I'm comparing the film to that then it's hardly a bad thing! It's the extraordinary characters played by Joaquin Phoenix, Amy Adams and Philip Seymour Hoffman that truly make the film what it is: addictive. As one character accuses Hoffman's Master of hypnotising his followers, I too feel almost entranced by the film itself, as if I too have been inducted into its cult. A mesmerising and fascinating piece of modern cinema.

Putting this film ahead of The Master might be a controversial decision, but it's my list so I can do what I like with it! They really are two very different ends of the spectrum, but Marvel's Avengers Assemble does deserve some recognition for its achievements. Not only was it the years highest grossing film (which doesn't say anything in terms of quality), but it marked the first of what I like to call the mega-franchise. For the first time, four individual established film franchises came together to make one Goliath blockbuster, and a lot of fun. The likes of Hulk and Loki well and truly stole the show in a big budget blockbuster that took the time to focus on its characters. The film had its fair share of problems, and is by no means perfect, but some ambitious and exciting action set-pieces and a load of well-scripted humour made Avengers Assemble a film for all to enjoy, and I for one just wanted to go back in and watch it again! Click here to read the full review.

There's always the risk with Wes Anderson that his overly stylistic sensibility and 'unique' sense of humor can come across as self-indulgent and rather too smart-ass (and we'll soon see if a certain Mr. Tarantino does the same with Django Unchained...), but Moonrise Kingdom was a simple delight. Anderson's stripped down innocent tale about two young misfits finding one another and their place in a world that doesn't fully understand them is full of heart, charm and wit, with his sense of humour and narrative both engaging and entertaining. The unique Anderson sense of style is here used to add to the narrative setting, making this fantasy-like world feel like a painting perhaps created by a character within the film itself. The cast is solid, and the second Edward Norton steps into the film it fully kicks into the high gear. Moonrise Kingdom proves that in a world of grand cinematic events that are as epic as their overblown budgets, it's the simpler things that affect us the most.

Yup, at number 7 it's 'that film with the tiger in a boat' - Life of Pi. Whilst I'm certain some people will not be overly fussed about this film (the same kind of people that weren't all that bothered about The Artist last year), I can't help but admire what Ang Lee has created with this wonderful piece of filmmaking. It's a grand, ambitious, expensive CGI fuelled epic film, depicting a very simple story. At its heart is the tale of a confused young man trying to discover the meaning to life and the answers to his confused way of looking at the many differing and contradicting religions. At the same time the film tells a story about storytelling itself and asks how much one can and should believe; perhaps you can see the link developing between the two already? Many of the heavily computer generated shots look like works of art that I could just admire for hours, and really work together to create a grand, mystical and inspiring world that is much more rewarding than your average big budget blockbuster. Click here to read the full review.

Disney threw open the year with the return of everyone's favourite puppets, those oh so loveable misfits The Muppets. Anyone who knows me will know that I love the Muppets, and what was not to love about their big return to the big screen. More in line with the original Henson era Muppet films and The Muppet Show itself, this reboot for a new generation saw the Muppets return to their roots whilst reinventing themselves for a new generation, making one of the best films of the year in the process. The humour was right up my street, the cameos were fresh, the characters were as good as us older fans could remember, and the music was absolutely genius! It was a film event that everyone of every gender and age could sit and laugh along with, all together at the same time - and not every family film can actually achieve that. Yes folks, watching a family film never felt so good. Click here to read the full review.

- TO BE CONTINUED! -

Oh I'm just too cruel aren't I, ending my list here like that? Well if Peter Jackson can have three films for The Hobbit, then I can have two articles for my top 12! Besides you're all probably tired from reading through the first seven entries anyway. So keep your eyes peeled on Beyond Infinity Film over the next few days for the concluding article in this two part extravaganza of 2012's finest - who will come top? You'll just have to wait to find out...

- Read Part 2 Right Here, Right Now! -

Oh, and as always I love to hear your thoughts and opinions, so be sure to leave a message in the comments section below. What have been your favourite films of 2012? Perhaps some of your least favourites have made my list so far? Whatever it may be, leave it below.

Review: Life of Pi

I've never been to see a film before in the hope that it would be completely and utterly average, but I did for Life of Pi, just for the sake of the cheap gag of giving the film 3.14 out of 5. Unfortunately for me however, the film was simply wonderful!

Based on the novel of the same name, director Ang Lee's Life of Pi tells the remarkable story of Pi (Suraj Sharma), a young man whose family owns a zoo in India. When the family decide to move the zoo around the world, a disastrous storm that hits their ship leaves young Pi stranded overboard in a small life boat, all alone. Or so he thought, and as the realisation hits that a tiger is also aboard the boat, Pi's difficult challenge to survive becomes that little bit less likely...

Life of Pi: That film with the tiger in a boat!

Undoubtedly you will be aware of Life of Pi as to say that the marketing campaign for it has been extensive would be an understatement - the film is everywhere! Adverts have been playing on TV for weeks, just about every film for the last half of the year has had the trailer attached to it, most of the buses driving around the country are plasters with posters, and even the film itself starts with a small advert telling the audience to spread the word after experiencing what they defined as 'the phenomenon' via facebook and #lifeofpi! The marketing truly has been remarkable for this film, and it's easy to understand why; two words - 'The Hobbit.' With such a big franchise film released just one week earlier, a film like this is easy to miss; but quite frankly it really shouldn't be.

One of the quotes that you will have probably seen written everywhere on all of the advertising calls the film 'the next Avatar,' and it's not difficult to see why. The visual effect are nothing short of breathtakingly beautiful, with a lot of the film implementing a largely CGI environment flawlessly. One problem that I often find with films that depend on the use of CGI too heavily is that I can become very aware that it is in fact just a load of computer graphics as the technology tends to age quickly and stick out like a sore thumb, losing a sense of attachment and taking me out of the film as it reminds me that I am watching just that - a film. This is often a very big off-put for me, yet the CGI used in Life of Pi, bar a few animals that did look like computer animations, was flawless. The almost fantasy-like world created by the special effects team is nothing short of breathtaking, and a well deserved pat on the back is certainly in order. But it's not all about impressive CGI effects - who really goes to a film for that!? The effects in Life of Pi are so beautiful however that they actually made me more engaged within the world of the film. Particular shots are so incredibly beautiful that they created a strong emotional response just looking at them. The film is like a piece of art work; not an art film, it's still very much a mainstream piece, but it really is breathtaking to look at - and although it hasn't been released in IMAX, this would have been the perfect film for it.

 One of my favourite shots from the beautiful film: Life of Pi.

But perhaps more importantly, let us not forget the tiger! As Pi and the comically named tiger (I shan't spoil the gag for those who don't know) are essentially the two leading characters, it is important that the tiger is created well with the CGI (for obvious reasons using a real tiger was out of the question) so that the audience can experience an emotional response to the relationship and peril that the film explores. What comes as a result is perhaps the most convincing piece of CGI that I have ever seen in film. The tiger is brought to life so well, that I actually forgot that it was CGI, and although I knew that it obviously was, I even at times had to question whether or not they actually used a real tiger. If the film wins anything this awards season, it'll certainly be for these technical achievements.

The story itself is like a spiritual version of Cast Away on a life boat with a tiger! That may not be what they'll print on the posters, but who doesn't want to see that film!? Pi's story is extraordinary - the film is engaging, captivating, magical and moving - it's nothing short of wonderful. It isn't based on any true events, but a big theme of the film asks the question of just how much can you believe, and what you should believe, bringing in big ideas, themes and questions about spirituality and religion. Life of Pi is very much at its heart a spiritual coming of age tale about a boy, confused by the many different religions and their multiple ideas and teachings, becoming a man and finding the answers that he is searching for. Perhaps that isn't your thing, and if it isn't then you still have a tiger in a boat, but for those who care to look a little deeper, the film will give you a fair bit to think about. This is where it suddenly loses the 'next Avatar' title, by becoming something far greater than just pretty special effects.

Pi (Suraj Sharma) has a spiritual search for his maker in Life of Pi.

The effects are extraordinary, the story is captivating, and the film is well paced and at a good length (it's not too short, it's not too long, it ends exactly when it needs to), but I do have one nagging problem with the film in amongst all of this praise. Life of Pi has been released in 3D (as I'm sure will come as no shock to you), with the advertisements for it putting a lot of emphasis on that fact to make you go and see it for a higher premium (hence 'the next Avatar' quote). However I chose to see it in 2D in order to appreciate the great attention to detail and vivid colour that the film clearly boasts but would lose a lot of behind a pair of 3D glasses. As I was happily watching the film, mid way through the aspect ratio suddenly changed from filling the entire screen to wide-screen letterbox for one particular sequence, then again later to an even smaller size from another shot. Whilst Ang Lee replied in an interview on NashvilleScene.com that he chose to do this because "I've always wanted to do that... since film school, and no one allowed me to," I just feel that it is a bad move (although fair play to the guy for giving it a shot). What it does, perhaps even more so for 2D audiences, is to take you out of the film. The sudden change of the aspect ratio makes you question whether perhaps something has gone wrong with the projector as it's so abnormal and sudden, thereby reminding you that it's only a film and taking you out of the moment as a result. It's nothing more than a cheap 3D gimmick (in this case to make something look like it is jumping out of the screen), and personally I couldn't care less about it - hence watching the film in 2D. No-one else does Mr. Lee, and perhaps for good reason too; why bring an imperfection to such a wonderful film?

Ang Lee's beautiful adventure Life of Pi is a true spectacle of cinema. It will make you laugh, smile, jump, think, and maybe even cry a little as you watch a stunningly visual piece of modern cinema. Call it 'the next Avatar' if you will, but the film brings a lot more depth than that, and I'm not talking about the cheap 3D gimmicks that slightly dampen what is otherwise a fantastic piece. I'm not sure if it has what it takes to bag the best picture awards come awards season, but of the films released in the build up to it, Life of Pi certainly has a fair shot - but regardless, it's a wonderful family film and my pick of the Christmas Holiday releases this year.

Verdict: 5/5

Life of Pi (certificate PG) is now showing in cinemas across the UK.

Have you seen Life of Pi? Agree or disagree with my review? Leave your thoughts and opinions in the comments section below!

...And the Oscar goes to... - Predicting the 2013 Oscar Nominees

So the summer blockbuster season is coming to a close now, and soon we'll be seeing the wave of 'Oscar-bait' films being released as we enter awards season. Now we may be a long way away from the actual Oscars ceremony yet - with nominations due to be announced on January 15th, and the ceremony itself to be held on February 24th - and it may be too soon to accurately predict what will be nominated and what will win; but that doesn't mean I can't give it a try right!? So here's my little experiment; I've drawn up a list of nominees for next year's 85th Academy Awards that I believe are likely to be chosen based on what has been released so far this year and what is due for release in the awards season, as well as looking at the trends and controversies of past Oscar results. Of course this could all be likely to change, as some relatively unknown film could come out of no-where at the last minute and take all the big awards (and if the last two years' big winners The Artist and The King's Speech are anything to go by, this could very well happen); however if I'm even relatively close to getting this right, then that will say a hell of a lot more about the predictability and politics of the Academy and could provide an interesting debate next February...

So who will be 2013's big winner then!? Well if my predictions are accurate next year's awards ceremony will be a two horse race (similar to this year's with Scorsese's Hugo and Hazanavicius' The Artist) between Christopher Nolan's epic BatFinale The Dark Knight Rises and the Wachowski brothers' (The Matrix) upcoming film Cloud Atlas. Now some of you may be thinking "hang on, those are two big budget Hollywood films - doesn't the Academy only like small budget art-house stuff?" Well no actually, the Academy has been known to nominate and praise a lot of big budget Hollywood films (mega-budget Avatar was nominated for best picture in 2010), and in fact a lot of them have actually won the Best Picture award (including Titanic and The Lord of the Rings: Return of the King). Besides that, what both of these films have in common is that they both to some extent actually bridge this divide by being big budget Hollywood art house films - both sporting an Oscar worthy cast of actors who have won in the past. Just from watching its trailer you can see how that logic applies to Cloud Atlas, which with its large and ambitious scale focuses on a story of humanity and life - and judging by some early reviews that have surfaced this morning after last night's première, it looks like it's got the potential to be a big hit (although one that will potentially divide a lot of audiences), and it certainly will be when the Academy give it their seal of approval.

As for The Dark Knight Rises, not only is this a brilliant piece of filmmaking that well and truly deserves the recognition, I also think that there is more to it than that - enter the Oscar politics! For this case I'm going to bring in two examples; The Lord of the Rings: Return of the King, and The Departed. Both of these films won the best picture for two very different reasons, and in each case arguably for not being the best film of the year! It is widely believed that Return of the King did so well at the Oscars as recognition for the entire Lord of the Rings trilogy - and I don't think that I need to point out how this is a similar scenario to Christopher Nolan's brilliant Dark Knight Trilogy do I!? As for The Departed, most people will agree that the Oscar was awarded to this as recognition for Martin Scorsese's entire career after not having won any Oscars for any of his previous films - which the majority of people will agree are better and more original than English language re-make The Departed. Now there was a small bit of controversy back in 2011 when Christopher Nolan was not nominated for the Directing category for his brilliant film Inception - and that there is a strong chance that the Academy will see this as 'Nolan's turn'. If you take all of these factors into account, I think that The Dark Knight Rises does stand a pretty good chance of doing very well at the Oscars next February and possibly taking the big prize.

As for the other big contenders, I think the main ones in the running for a lot of categories but mainly Best Picture will be the following: Tarantino's Django Unchained, Paul Thomas Anderson's The Master (the dark horse that could be this years The King's Speech/The Artist if Harvey Weinstein has his way as he so often does), Tom Hooper's Les Misérables (which almost certainly won't win Best Picture or Direction after Director Tom Hooper won just two years ago for The King's Speech), Spielberg's Lincoln (not to be confused with the one about his fighting vampires...), and possibly Ang Lee's Life of Pi, Ben Affleck's Argo, and the Coen Bros. Gambit - and it is likely that other films will join this list over the next few months. Some of these are very likely to scoop some awards in a couple of categories, and some of them are very likely to win nothing at all - I do still feel that the night will belong to Cloud Atlas or The Dark Knight Rises or both though - of course, only time will tell...

So without further ado - exclusively on Beyond Infinity Film a whole 4 months and 6 days before the academy will announce it themselves - the nominee's for the 85th Academy Awards:

(Nominees in bold represent who I predict will stand a good chance of winning.) 

Best Picture:
The Dark Knight Rises; Cloud Atlas; Django Unchained; The Master; Les Misérables; Lincoln; Life of Pi; Argo, Gambit. (Possibly more...)


Actor In a Leading Role:
Tom Hanks - Cloud Atlas; Joaquin Phoenix - The Master; Daniel Day Lewis - Lincoln; Hugh Jackman - Les Misérables; Jamie Foxx - Django Unchained. (Possible nominee: Christian Bale - The Dark Knight Rises).

Actress In a Leading Role:
Halle Berry - Cloud Atlas; Anne Hathaway - Les Misérables; Keira Knightley - Anna Karenina; other two nominees to be confirmed.

Actor In a Supporting Role:
Michael Caine - The Dark Knight Rises (a small role that brought an extraordinary emotional weight to the film); Philip Seymour Hoffman - The Master; Christoph Waltz - Django Unchained; either Tom Hardy and Gary Oldman - The Dark Knight Rises or two actors from Cloud Atlas (or one from each). 

Actress In a Supporting Role:
Anne Hathaway - The Dark Knight Rises (if not nominated for Leading Actress - either category the nomination would be for both roles); Amy Adams - The Master; other three nominees to be confirmed.

Animated Feature Film:
Brave; The Pirates! In an Adventure with Scientists (titled in America: The Pirates! Band of Misfits); Wreck-It Ralph; Frankenweenie; other nominee to be confirmed.

Cinematography:
Wally Pfister - The Dark Knight Rises; Cloud Atlas; Django Unchained; Les Misérables; Lincoln. 

Art Direction:
The Dark Knight Rises; Cloud Atlas; Django Unchained; Les Misérables; Life of Pi. 

Costume Design:
Cloud Atlas; Lincoln; Les Misérables; Django Unchained; The Dark Knight Rises.

Directing:
Christopher Nolan - The Dark Knight Rises; Paul Thomas Anderson - The Master; Tom Tykwer, Andy Wachowski and Lana Wachowski - Cloud Atlas; Tom Hooper - Les Misérables; Quentin Tarantino - Django Unchained; Steven Spielberg - Lincoln. Note: only five directors will be nominated in this category - I can't decide which one of these won't though!

Documentary Feature:
Into the Abyss: a Tale of Death, a Tale of Life; The Imposter; other three nominees to be confirmed. 

Documentary Short:
To be confirmed.

Film Editing:
The Dark Knight Rises; Cloud Atlas; Django Unchained; Les Misérables; Lincoln.

Foreign Language Film:
To be confirmed.

Makeup:
Lincoln; Les Misérables; Cloud Atlas. 

Music (Original Score):
The Dark Knight Rises; Les Misérables; Cloud Atlas; Lincoln; Django Unchained. Note: I'm not entirely sure if The Dark Knight Rises or Les Misérables are allowed to be nominated here if their score are not entirely original (based on music from the previous films and the stage show respectively).

Music (Original Song):
Les Misérables (one song has been written for the film); other four nominees to be confirmed (the Academy has announced that this will be the first year that five songs will be nominated for the award, after last year only two being nominated).

Short Film (Animated):
To be confirmed.

Short Film (Live Action):
To be confirmed.

Sound Editing:
The Dark Knight Rises; Cloud Atlas; Les Misérables; Avengers Assemble (titled in America: The Avengers); Berberian Sound Studio.

Sound Mixing:
The Dark Knight Rises; Cloud Atlas; Les Misérables; Avengers Assemble (titled in America: The Avengers); Berberian Sound Studio. 

Visual Effects: 
The Dark Knight Rises; Cloud Atlas; Skyfall; Avengers Assemble (titled in America: The Avengers); Berberian Sound Studio. 

Writing (Adapted Screenplay):
The Dark Knight Rises; Cloud Atlas; Django Unchained; Les Misérables; Life of Pi. 

Writing (Original Screenplay):
Lincoln; The Master; other three nominees to be confirmed. 

So there you have it folks! Of course it's still very early days, and all of this could change completely within the space of a week or so, but let's just wait and see how this little experiment pans out. Of course it says a lot about how predictable the Academy is if these predictions are even remotely accurate, especially considering that most of these films haven't even been released yet! It'll certainly be interesting when the nominees are announced on January 15th - and it'll be even more interesting when the BAFTA nominees are released too as forerunner Cloud Atlas isn't released in the UK until March, making it inapplicable for any nominations...

So what do you think of my prediction? Wrong or Right? Who do you think will win on the night? Have I missed anything off, or is it just too soon to make a prediction like this? Leave your thoughts and opinions in the comments section below.